Articles

Selected concepts of the Antonin Artaud Fellowship South edition 2025
Presentation of “Untitled” in Dublin
Independent Performing Arts in Ukraine: Catalogue of the Antonin Artaud Fellowship
Antonin Artaud Fellowship: Catalogue of Works 2022-2024
Producers gathering. Why theatre?
Defamiliarization of the Object: Notes from the second Lecture-Conversation by Larysa Venediktova
Defamiliarization of the Object: Notes from a Lecture-Conversation by Larysa Venediktova
Defamiliarization of the Object. Notes from a Lecture by Mykhailo Ziatin
Defamiliarization of the Object: Notes from a Lecture-Conversation by Oleksandr Lebediev
Footprints of Places. Asia Pavlenko on the Performances of Nana Biakova and Maryna Shchehelska
Performing Memory Project
Open call for participation in “Untitled” performance in Dublin
What Is Theatre? Notes From A Lecture by Illia Razumeiko
Museum as a Performative Act. Notes From A Lecture by Illia Razumeiko
Notes From A Lecture on the Birthday of Carolee Schneemann by Illia Razumeiko
A year in review: Our December newsletter is out
Mette Ingvartsen: Political Body of Contemporary Theatre. Notes From A Lecture by Illia Razumeiko
The Ukrainian South: Journeys Through Collective Memory. Notes From A Lecture by Oksana Dovhopolova
No More Masterpieces: On Antonin Artaud’s Texts. Notes From A Lecture by Illia Razumeiko
Future of the Fellowship: A Conversation With Co-Founder Volodymyr Burkovets
Hanna Vinohradova about autoethnography and performance “Me and Olha”
How do artist-producer relationships work in different contexts and countries? A conversation with Fanny Martin
Preparing for an International Presentation: A Summary by Olga Diatel
WHOLLY FULL in Madrid
Two works created within the framework of the Fellowship will be shown in Berlin and Vienna
The Anatomy of an Art Concept and the Political Dimension of the Performer’s Figure